This may or may not be a complete recording of Victoria's 16th-Century composition.
Victoria wrote this piece in or around 1585. I believe these are the music credits for this recording:
Below is a track list from another page; the first part is from Palm Sunday - and most of the rest comes from Matins of Maundy Thurday (In Coena Domini), Good Friday (Parasceve), and Holy Saturday (Sabbato Sancto). I will have to listen to see if all this is included here or not.
In other words, the greatest part of this music was written for the Office of Tenebrae - Matins and Lauds of the great Three Days. Included, too, are readings (including some from the Lamentations of Jeremiah), antiphons, responsories, hymns, and pieces from John's Passion and the Adoration of the Cross on Good Friday.
To follow along with the Matins sections, use Divinum Officium; enter the date at the top of the page, then click "Matutinum" at the bottom. You can listen to St. Thomas' Tenebrae sung in plainsong here.
Victoria wrote this piece in or around 1585. I believe these are the music credits for this recording:
Coro de monjes del Monasterio de Santo Domingo de Silos
Coro de voces blancas de Burgos
Concertador: Dom Felipe Fernández, O.S.B.
Director: Ismael Fernandez de la Cuesta.
Below is a track list from another page; the first part is from Palm Sunday - and most of the rest comes from Matins of Maundy Thurday (In Coena Domini), Good Friday (Parasceve), and Holy Saturday (Sabbato Sancto). I will have to listen to see if all this is included here or not.
In other words, the greatest part of this music was written for the Office of Tenebrae - Matins and Lauds of the great Three Days. Included, too, are readings (including some from the Lamentations of Jeremiah), antiphons, responsories, hymns, and pieces from John's Passion and the Adoration of the Cross on Good Friday.
To follow along with the Matins sections, use Divinum Officium; enter the date at the top of the page, then click "Matutinum" at the bottom. You can listen to St. Thomas' Tenebrae sung in plainsong here.
Officium Hebdomadae Sanctae- S.XVI. ( Integral)
I DOMINICA IN RAMIS PALMARUM
Pueri Hebraeorum
II FERIA V IN COENA DOMINI
In I Nocturno ( Lectiones I,II,III )
In II Nocturno ( Lectiones et Responsoria:
IV " Amicus meus",V " Judas mercator"
VI " Unus ex discipulis" )
Lector: Francisco Lara
In III Nocturno ( Lectiones et Responsoria:
VII " Eran quasi Agnus", VIII "Una Hora"
IX " Seniores populi "
Lector: Dom Pedro Alonso, O.S.B.
Benedictus Dominus
Lectores: Dom Baudilio López O.S.B. y
Francisco Lara ( Primer coro)- Dom Jose Luis Angulo, O.S.B.
y Dom Constancio del Alamo, O.S.B. ( segundo Coro)
III FERIA VI PARASCEVE ( principio )
In I Nocturno ( Lectiones I, II, III ).......
In II Nocturno ( Lectiones et Responsalia:
IV " Tamquam ad latronem", V " Tenebrae factae sunt", VI " Animam meam" )
Lector: Francisco Lara
In III Nocturno ( Lectiones y Responsoria:
VII " Tradiderunt me", VIII " Jesum tradidit",
IX " Caligaverunt" )
Lector: Dom Pedro Alonso, O.S.B.
III FERIA VI IN PARASCEVE ( final)
Passio secundum Joannem ....
Sinagoga: Francisco Lara
Cronista y Jesucristo:
Ismael Fernández de la Cuesta
Improperia: " Popule meus"......
Soprano: Hermana Maria Begoña Martínez
Contralto: Hermana, Maria Lourdes Gabilondo
Tenor: Francisco Lara
Bajo: Dom Constancio del Alamo, O.S.B.
IV SABBATO SANCTO
In I Nocturno ( Lectiones I, II, III )
In II Nocturno ( Lectiones et Responsoria:
IV " Recessit pastor nortes", V " O vos omnes",
VI " Ecce quomodo" )...........
In III Nocturno ( Lectiones et Responsoria:
VII " Astiterunt", VIII " Aestimatus sum",
IX " Sepulto Domino")...........
Miserere mei, Deus
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